{"id":784,"date":"2022-07-02T14:34:59","date_gmt":"2022-07-02T14:34:59","guid":{"rendered":"https:\/\/mnemosyne.aldebaran31.fr\/?p=784"},"modified":"2022-07-02T14:34:59","modified_gmt":"2022-07-02T14:34:59","slug":"hommage-dans-lhommage","status":"publish","type":"post","link":"https:\/\/mnemosyne.aldebaran31.fr\/?p=784","title":{"rendered":"Hommage dans l&rsquo;hommage"},"content":{"rendered":"\n<p>Crois\u00e9e au Parc Monceau (Paris, France), cette statue \u00e0 deux niveaux, sculpture dans la sculpture, repr\u00e9sente un buste de  Charles Gounod (1818-1893) sur une st\u00e8le, entour\u00e9 d&rsquo;admirateurs et d&rsquo;instruments. Sont-ce ces derniers, musiciens eux-m\u00eames, qui les ont apport\u00e9s ou bien sont-ils cens\u00e9s symboliser la musique du c\u00e9l\u00e8bre compositeur ? Toujours est-il qu&rsquo;on y reconna\u00eet un orgue portatif, un violon, des fl\u00fbtes \u00e0 bec, un tambour de basque.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"1024\" height=\"726\" src=\"https:\/\/mnemosyne.aldebaran31.fr\/wp-content\/uploads\/2022\/07\/gounod_instrument_paris-1024x726.jpg\" alt=\"\" class=\"wp-image-785\" srcset=\"https:\/\/mnemosyne.aldebaran31.fr\/wp-content\/uploads\/2022\/07\/gounod_instrument_paris-1024x726.jpg 1024w, https:\/\/mnemosyne.aldebaran31.fr\/wp-content\/uploads\/2022\/07\/gounod_instrument_paris-300x213.jpg 300w, https:\/\/mnemosyne.aldebaran31.fr\/wp-content\/uploads\/2022\/07\/gounod_instrument_paris-768x545.jpg 768w, https:\/\/mnemosyne.aldebaran31.fr\/wp-content\/uploads\/2022\/07\/gounod_instrument_paris.jpg 1200w\" sizes=\"(max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><figcaption><em>photo A.L. 2022<\/em><\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Crois\u00e9e au Parc Monceau (Paris, France), cette statue \u00e0 deux niveaux, sculpture dans la sculpture, repr\u00e9sente un buste de Charles Gounod (1818-1893) sur une st\u00e8le, entour\u00e9 d&rsquo;admirateurs et d&rsquo;instruments. Sont-ce ces derniers, musiciens eux-m\u00eames, qui les ont apport\u00e9s ou bien sont-ils cens\u00e9s symboliser la musique du c\u00e9l\u00e8bre compositeur ? Toujours est-il qu&rsquo;on y reconna\u00eet un &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/mnemosyne.aldebaran31.fr\/?p=784\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;Hommage dans l&rsquo;hommage&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[10],"tags":[26,43,92,47],"_links":{"self":[{"href":"https:\/\/mnemosyne.aldebaran31.fr\/index.php?rest_route=\/wp\/v2\/posts\/784"}],"collection":[{"href":"https:\/\/mnemosyne.aldebaran31.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mnemosyne.aldebaran31.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mnemosyne.aldebaran31.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mnemosyne.aldebaran31.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=784"}],"version-history":[{"count":1,"href":"https:\/\/mnemosyne.aldebaran31.fr\/index.php?rest_route=\/wp\/v2\/posts\/784\/revisions"}],"predecessor-version":[{"id":786,"href":"https:\/\/mnemosyne.aldebaran31.fr\/index.php?rest_route=\/wp\/v2\/posts\/784\/revisions\/786"}],"wp:attachment":[{"href":"https:\/\/mnemosyne.aldebaran31.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=784"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mnemosyne.aldebaran31.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=784"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mnemosyne.aldebaran31.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=784"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}